Decorating with Architectural Trimwork: Planning, Designing, by Jay Silber Mr.

By Jay Silber Mr.

Adorning with Architectural Trimwork fills a void within the latest literature on trimwork. there are many books that inform the reader how one can set up trim round home windows and doorways, yet few that still clarify how architectural trim can improve a room's aesthetic attraction. Responding to the new pattern of creating homes as empty bins, writer Jay Silber exhibits readers find out how to select and use a large choice of moldings, trim, and layout suggestions to remodel a sterile, open flooring plan right into a hot, inviting, richly textured domestic. Trimwork exhibits readers how you can beautify their houses with trim and wall panels in order that their partitions, passageways, and stairways can radiate the heat, personality, and sweetness of the well-trimmed houses of eras passed by.

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Extra resources for Decorating with Architectural Trimwork: Planning, Designing, Installing

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With a 1/4 inch x 7/8 inch dowel joining holes numbered 5 and 8, lightly clamp and glue the inside loop in place. Using a number 8 x 1­ 1/2 inches woodscrew, secure the inside loop to the rail (87). Remove the clamp and dry-fit the outside loop in place to confirm that there are no visible gaps between the two loops. As before, with a 114 inch x 7/8 inch dowel joining holes num­ bered 6 and 7, lightly glue and clamp the outside loop in place and attach with a 8 x 1-112 inch screw (88). Remove the clamp and fill the twO visible 3/8-inch holes with face­ grain plugs (89).

A plastic drafting template with graduated-size square hoLes is available at most weLL-equipped office supply stores. It can be a vaLuable aid in Laying out the holes for the square ebony pLugs. 104. Square the corners: start with a smaLler chiseL and work up to a Larger chisel. A very sharp chiseL is a must for clean crisp work. Making the Plug Holes by Hand 1/ 1G inch smaller than the eventual hole size, drill to a depth of about 3/8 of an inch. With a chisel much smaller than the intended hole size, clean up the corners of the hole, progressing to a larger chisel to establish the boundaries of the hole (104).

35 36. Gustav Stickley (1858 -1942), the fiuher ofthe American Arts and Crafts Movement. The Furniture of Gusta v Stickley, Linden Publishing 1996 (otig inally published by Simon & Schuster) 37. John Ruskin (1819-1900) was an early proponent ofArts and Crafts ideals. The Furniture of Gustav Sti ckley, Linden Publi shing 1996 (originally published by Simon & Schuster) 38. William Morris (1834-1896) was the driving force behind the English Arts and Crafts Movement. The Furniture of Gustav Stickley, Linden Publishing 1996 (originally publish ed by Simon & Schuster) Chapter 6 Gustav Stickley and Greene & Greene Gustav Stickley: The Greene & Greene Starting Point Every creative enterprise is built on a foundation that was laid down by its predecessors, people who themselves were in turn dependent on the groundwork laid down by those who came before.

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