A Moon for the Misbegotten by Eugene O'Neill, Stephen A. Black
By Eugene O'Neill, Stephen A. Black
Eugene O'Neill's final accomplished play, A Moon for the Misbegotten is a sequel to his autobiographical lengthy Day's trip Into evening. Moon selections up 11 years after the occasions defined in lengthy Day's trip Into evening, asJim Tyrone (based on O'Neill's older brother Jamie) grasps at a final probability at love less than the entire moonlight. This paperback variation beneficial properties an insightful creation by way of Stephen A. Black, necessary to an individual who wishes a deeper knowing of O'Neill's work.
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Additional info for A Moon for the Misbegotten
2 (1977); Alexander Leggatt, Ben Jonson: His Vision and his Art (London: Methuen, 1981), 23–29, 275–76; Peter Womack, Ben Jonson (Oxford: Basil Blackwell, 1986), 138–44. Alexander Leggatt, ‘The Suicide of Volpone,’ University of Toronto Quarterly 39 (1969). Stephen J. Greenblatt, ‘The False Ending in Volpone,’ Journal of English and Germanic Philology 75 (1976): 94–95. : 103–04. James Hirsh, ‘Cynicism and the Futility of Art in Volpone,’ in New Perspectives on Ben Jonson, ed. James Hirsh (Madison, NJ: Fairleigh Dickinson University Press, 1997), 106.
Nor is Jonson the detached ‘good man’ of the Epistle, morally distant from his cast of characters: ‘It is made up of cheats and dupes, and the author is at home among them’. 70 Jonson’s is an alien and perhaps unpalatable form of drama, but it is potent nevertheless. 72 It was not until the late 1880s that studies by J. A. Symonds73 and Algernon Charles Swinburne signalled the beginnings of a critical renaissance. In a review of Symonds, Oscar Wilde sketched a sympathetic portrait of a Jonson who broke down dichotomies between vernacular and classical, life and literature and nature and culture: In Jonson’s comedies London slang and learned scholarship go hand in hand.
From 1713–1727, Volpone was played once a year, on average, and was performed before royalty twice: at Hampton Court in 1718 and at Drury Lane in 1722. 20 The Lincoln’s Inn production of Volpone starred the eminent comic actor James Quin as Volpone and Lacy Ryan as Mosca. Both Quin and Ryan had previously performed in VOLPONE ON THE STAGE 35 productions of the play at Drury Lane, with Quin having played Voltore and Ryan having played Bonario, before they joined Rich’s company. Rich’s performers continued to play Volpone on and off until 1754, first at Lincoln’s Inn and later at a new theatre in Covent Garden, which Rich opened in December 1732.